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Tray Wellington puts his mark
on
“Half Past Four”

Growing up in western North Carolina’s Ashe County, Trajan “Tray” Wellington heard a lot of music  and from the first time he heard the banjo as a young teen, he was, he says, “hooked.” Within a few years, he had joined with a few friends to form Cane Mill Road, an acclaimed band of youngsters whose wide ranging brand of Bluegrass quickly found favor with an equally wide-ranging audience.

 

By the end of 2019, the quartet had released three well received albums, recorded with Bluegrass and Americana star Jim Lauderdale, and performed at festivals across the country, including Grey Fox, Merlefest and the IBMA’s Wide Open Bluegrass, culminating in a 2019 IBMA Momentum Band of the Year award.   Tray personally also received individual recognition as an IBMA Momentum Instrumentalist of the Year.

With growing acclaim for his talent and a lengthening list of his own individual accomplishments, including the release of his debut solo EP,  leading workshops at Merlefest and Grey Fox, a coveted position as an assistant at banjo master Bela Fleck’s Blue Ridge Banjo Camp,  a cover story interview in Banjo Newsletter,  and an invitation to Mike Marshall’s prestigious Acoustic Music Seminar, Wellington decided to blaze his own musical and professional trail.  Showcasing the Tray Wellington Band at the IBMA’s virtual World of Bluegrass in the fall of 2020 this prodigy just graduated from East Tennessee State University in early 2021. 

Now, following the release of his first single for Mountain Home Music Company, the newgrass-flavored original, “Pond Mountain Breakaway,” banjo phenom Tray Wellington gives a nod to tradition with a banjo-centered, ‘grassed-up arrangement of a popular old time fiddle tune, “Half Past Four.”    

Though it’s not well known among Bluegrass players, “Half Past Four” is a near standard among old time musicians. The tune was composed by blind Kentucky fiddler Ed Haley (1885-1951), whose catalog was largely obscure until his music caught the ear of Bluegrass Hall of Famer John Hartford. By the start of the 21st century, Hartford had not only recorded a large number of Haley’s tunes, but had transcribed many more, and even supervised a collection of Haley’s home recordings.  Though Hartford never recorded the tune himself, veteran members of his string band put it on a 2010 tribute to the legendary composer of “Gentle On My Mind”,  though by then, it had already entered the repertoire of old-time fiddlers and banjo players alike.

 

Wellington’s version of the tune takes a more assertive approach, with the assistance of a stellar group including guitarist Jon Stickley, mandolin master Wayne Benson, fellow Mountain Home artist Carley Arrowood on fiddle, and Zoe & Cloyd’s bassist, Kevin Kehrberg.  From a classic fiddle-and-banjo start, the track dashes joyously through the tune, with frequent trade offs among the players keeping things lively to the very last notes. "As a John Hartford and Ed Haley fan,” says Wellington, “I knew when I heard this song, I wanted to put a modern, unique twist on it that would make it my own version. And with the musicianship of these players, from Carley's powerful fiddle kickoff, to Stickley's killer rhythm, to the groove of Kevin’s bass, and Wayne's playing, it ended up being a great track."

“We had been looking for something that could showcase Tray’s solid traditional chops and ability to put his own stamp on old tunes,” notes producer Jon Weisberger. “And then, not long before the session, I caught Tray’s Bluegrass Ramble performance presented by the IBMA,  and when his group ended that virtual showcase with ‘Half Past Four,’ I knew we’d found the perfect choice.”

Don't miss the prodigy that is Tray Wellington, listen to "Half Past Four".  The performance, which finds Wellington trading solos with some of the most innovative yet grounded instrumentalists to be found under the big Bluegrass tent, shows off the youngster’s exuberant approach to tradition  and his ability to more than hold his own with more experienced players.  The future seems as unlimited for Tray Wellington as his immense talents,  artistry and musicianship unfolds.